{"id":13244,"date":"1997-10-23T10:03:00","date_gmt":"1997-10-23T10:03:00","guid":{"rendered":"https:\/\/shezaf.net\/wordpress\/books\/books-books\/witchcraft-in-huancabmba\/"},"modified":"2021-06-06T17:04:45","modified_gmt":"2021-06-06T15:04:45","slug":"witchcraft-in-huancabmba","status":"publish","type":"post","link":"https:\/\/shezaf.net\/en\/witchcraft-in-huancabmba\/","title":{"rendered":"Witchcraft in Huancabmba"},"content":{"rendered":"<table class=\"no_float\" border=\"0\">\n<tbody>\n<tr>\n<td align=\"center\">\n<figure id=\"attachment_16008\" aria-describedby=\"caption-attachment-16008\" style=\"width: 680px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/shezaf.net\/wp-content\/uploads\/1997\/10\/8-Kshafim.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-large wp-image-16008\" src=\"https:\/\/shezaf.net\/wp-content\/uploads\/1997\/10\/8-Kshafim-680x1024.jpg\" alt=\"\" width=\"680\" height=\"1024\" srcset=\"https:\/\/shezaf.net\/wp-content\/uploads\/1997\/10\/8-Kshafim-680x1024.jpg 680w, https:\/\/shezaf.net\/wp-content\/uploads\/1997\/10\/8-Kshafim-300x452.jpg 300w, https:\/\/shezaf.net\/wp-content\/uploads\/1997\/10\/8-Kshafim-600x904.jpg 600w, https:\/\/shezaf.net\/wp-content\/uploads\/1997\/10\/8-Kshafim-199x300.jpg 199w, https:\/\/shezaf.net\/wp-content\/uploads\/1997\/10\/8-Kshafim-768x1157.jpg 768w, https:\/\/shezaf.net\/wp-content\/uploads\/1997\/10\/8-Kshafim-1020x1536.jpg 1020w, https:\/\/shezaf.net\/wp-content\/uploads\/1997\/10\/8-Kshafim.jpg 1041w\" sizes=\"(max-width: 680px) 100vw, 680px\" \/><\/a><figcaption id=\"caption-attachment-16008\" class=\"wp-caption-text\">Witchcraft in Huncabmba<\/figcaption><\/figure>\n<p>Witchcraft in Huancabmba<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-weight: bold;\">On &#8220;Witchcraft in Huancabamba&#8221;<\/span><br style=\"font-weight: bold;\" \/><br style=\"font-weight: bold;\" \/><span style=\"font-weight: bold;\">By Yoram Bronowski, &#8220;Art and Culture,&#8221; Ha&#8217;aretz<\/span><\/p>\n<p>Tsur Shezaf succeeds admirably with the main aim of the travel writer<br \/>\n(or writer-traveler) of the new and sophisticated sort: to present to<br \/>\nthe reader the beauty and the variety in the world. &#8220;Everything was so<br \/>\nwonderful,&#8221; he writes in a fine essay on Lamu in Africa, on the edge of<br \/>\nKenya. &#8220;Most of the cities as well as the places that are called<br \/>\nwonderful become poetic beads in an endless chain of names.&#8221; It is<br \/>\nsomewhat in this vein that this varied and colorful book, which does not<br \/>\nlack for a particularly original Israeli &#8220;sabra&#8221; tone. It seems that<br \/>\nTsur Shezaf is the young classicist of this new travel writing. In many<br \/>\nrespects, he is our very own Bruce Chatwin.<\/p>\n<p>*<\/p>\n<p><span style=\"font-weight: bold;\">By Eli Hirsh, Ma&#8217;ariv Culture Supplement<\/span><\/p>\n<p>Luckily, Shezaf has a tendency to get in trouble in a special way during<br \/>\nthe course of his most difficult and dangerous journeys, and when this<br \/>\nhappens, he concentrates on a single task &#8211; to reach, somehow, the end<br \/>\nof the road. He cannot sink into deep thought or rely on his emotions.<br \/>\nEverything is subsumed in the need to listen, absorb, notice and preempt<br \/>\nany danger the road may pose him. On journeys of this sort, not only are<br \/>\nhis eyes wide open and his senses alert, his writing also becomes sharp<br \/>\nand concentrated. The road itself spreads before us, as well as the<br \/>\nthrilling terror of the breadth of the journey. In Mongolia itself, the<br \/>\nstory becomes completely mad. Accompanied by Mirge, Urey, their family<br \/>\nand their friends, Shezaf is forced to be constantly on the alert. At<br \/>\nevery step he must find the golden mean between cautiously following the<br \/>\ngenerous suggestions of his hosts, and their obstinacy and hostility<br \/>\nthat become less and less pleasant from moment to moment. Though the<br \/>\nstory is wild, it is utterly believable: Shezaf sets it forth with<br \/>\nrestrained minimalism and remarkable precision. Through his eyes, the<br \/>\nreader comes to know an exotic, hostile and complex world that is also<br \/>\nclear and very sensual, where every decision, even moral decisions, must<br \/>\nbe instinctive. Shezaf is an excellent travel writer and &#8220;Witchcraft in<br \/>\nHuancabamba&#8221; is a step in the right direction.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Witchcraft in Huancabmba On &#8220;Witchcraft in Huancabamba&#8221;By Yoram Bronowski, &#8220;Art and Culture,&#8221; Ha&#8217;aretz Tsur Shezaf succeeds admirably with the main aim of the travel writer [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[189],"tags":[],"class_list":["post-13244","post","type-post","status-publish","format-standard","hentry","category-books-books"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Witchcraft in Huancabmba - shezaf.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/shezaf.net\/en\/witchcraft-in-huancabmba\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Witchcraft in Huancabmba - shezaf.net\" \/>\n<meta property=\"og:description\" content=\"Witchcraft in Huancabmba On &#8220;Witchcraft in Huancabamba&#8221;By Yoram Bronowski, &#8220;Art and Culture,&#8221; Ha&#8217;aretz Tsur Shezaf succeeds admirably with the main aim of the travel writer [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/shezaf.net\/en\/witchcraft-in-huancabmba\/\" \/>\n<meta property=\"og:site_name\" content=\"shezaf.net\" \/>\n<meta property=\"article:published_time\" content=\"1997-10-23T10:03:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-06-06T15:04:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/shezaf.net\/wp-content\/uploads\/1997\/10\/8-Kshafim-680x1024.jpg\" \/>\n<meta name=\"author\" content=\"Tsur Shezaf\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tsur Shezaf\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/shezaf.net\\\/en\\\/witchcraft-in-huancabmba\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/shezaf.net\\\/en\\\/witchcraft-in-huancabmba\\\/\"},\"author\":{\"name\":\"Tsur Shezaf\",\"@id\":\"https:\\\/\\\/shezaf.net\\\/en\\\/#\\\/schema\\\/person\\\/a56eb32e9bbcfec8f80481d2a4e8c7b7\"},\"headline\":\"Witchcraft in Huancabmba\",\"datePublished\":\"1997-10-23T10:03:00+00:00\",\"dateModified\":\"2021-06-06T15:04:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/shezaf.net\\\/en\\\/witchcraft-in-huancabmba\\\/\"},\"wordCount\":392,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/shezaf.net\\\/en\\\/witchcraft-in-huancabmba\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/shezaf.net\\\/wp-content\\\/uploads\\\/1997\\\/10\\\/8-Kshafim-680x1024.jpg\",\"articleSection\":[\"books\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/shezaf.net\\\/en\\\/witchcraft-in-huancabmba\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/shezaf.net\\\/en\\\/witchcraft-in-huancabmba\\\/\",\"url\":\"https:\\\/\\\/shezaf.net\\\/en\\\/witchcraft-in-huancabmba\\\/\",\"name\":\"Witchcraft in Huancabmba - 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